Sabtu, 22 Maret 2014

[P532.Ebook] Ebook On the Psychology of Military Incompetence

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Will be shipped from US. Used books may not include companion materials, may have some shelf wear, may contain highlighting/notes, may not include CDs or access codes. 100% money back guarantee.

  • Sales Rank: #3138593 in Books
  • Published on: 1600
  • Binding: Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
Entertaining, probably a lot of truth, but not a one-stop shop for military insight.
By Patrick E. Polk
This is certainly an entertaining book, but in the end I feel like it is basically a rant, and that. However, I do think it's possible to do some self-reflection based on the accounts of military failure in this book.

It's not written in plain English--he (maybe unnecessarily) uses a lot of really big words that one might not be accustomed to with modern authors.

My "own words" understanding of the author's thesis is that there are cognitive biases that are prevalent throughout society, but that in the military context it is even more critical to understand and counter these biases. Are they really more critical in the military? Or do they just get more attention?

I recommend reading this in conjunction with many other books on decision making and leadership, and certainly get many other perspectives on how big organizations work before you use this to pass judgement on military organizations in particular.

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Kamis, 13 Maret 2014

[S351.Ebook] Ebook Free Modern Automotive Technology, by James E. Duffy

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Modern Automotive Technology details the construction, operation, diagnosis, service, and repair of late-model automobiles and light trucks. This comprehensive text uses a building-block approach that starts with the fundamental principles of system operation and progresses gradually to complex diagnostic and service procedures. Short sentences, concise definitions, and thousands of color illustrations help students learn quickly and easily. The text provides thorough coverage of the latest developments on the automotive field, including OBD II diagnostics, enhanced emissions testing, misfire monitoring, air bag systems, anti-lock brakes, and security systems. Organized around the eight ASE automobile test areas, this text is a valuable resource for students preparing for a career in automotive technology, as well as experienced technicians who are preparing for the ASE Certification/Rectification Tests.

  • Sales Rank: #1189313 in Books
  • Brand: Brand: Goodheart-Willcox Co
  • Published on: 2003-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.33" h x 2.14" w x 8.69" l, 7.76 pounds
  • Binding: Hardcover
  • 1592 pages
Features
  • Used Book in Good Condition

About the Author
James E. Duffy is the bestselling automotive education author in the market today. He is also a noted videographer who has produced over 100 vocational/technical video programs. He possesses a B.S. in Industrial Electronics and a B.S. in Technology Education from Indiana State University.

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26 of 26 people found the following review helpful.
a word of caution when buying this book.
By J. Pu
This is not a review, but a comment on this item (I'm giving an average rating so i'm not skewing the statistics). If you want to buy used version from listed vendors, do make sure you are buying the text instead of the job sheets or workbook. They are both listed under the same title and ISBN number, the latter is considerably cheaper which caused me to purchase it. But it's not useful at all. Amazon really should improve how they are listing books in this kind of scenario.

0 of 0 people found the following review helpful.
Very useful and covers many topics
By Amazon Customer
Very useful and covers many topics. Some topics lack detail for better understanding, but one can only fit so much in an already heavy textbook

0 of 0 people found the following review helpful.
Five Stars
By jose alcaraz
Is good...

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Senin, 10 Maret 2014

[B770.Ebook] PDF Ebook Sex Matters, by Osho

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Sex Matters, by Osho

Sex matters to us all. The Osho approach to sex begins with an understanding of how important love is in our lives, while at the same time acknowledges that the journey into love cannot exclude our innate biological energies. With this perspective, it becomes clear that the tendency for religions, and for society in general, to associate sex with sin and morality has been a great misfortune.

Sex Matters begins by deconstructing the layers of sexual repression that the condemnation of sex has inflicted on human. Throughout Sex Matters - in response to questions about everything from jealousy to premature ejaculation, the role of intimacy and the differences between men and women - Osho proposes a vision that embraces sex as a fundamental gift from nature. We learn how orgasm offers a glimpse of timelessness, thoughtlessness, and pure awareness -- biology's way of pointing toward the consciousness that helps us to understand ourselves.

Finally, we are presented with a clear choice: a repressed sexuality that leads to pornography, perversion, and a stunted humanity or a playful, respectful, and relaxed innocence that supports us in becoming fulfilled and whole, as nature intended.

  • Sales Rank: #163431 in Books
  • Published on: 2003-07-11
  • Released on: 2003-07-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.26" h x .85" w x 5.54" l, .55 pounds
  • Binding: Paperback
  • 336 pages

Review
"Sex is your only energy, it is life energy."

"Sex Matters rediscovers the human and rewards rather than punishes one for being in that state. It is a wondrous revelation that will give peace, confidence and courage all at the same time."

"[Sex Matters] links sexuality to transcendence, insisting that sex is important for both physical and mental well-being."

About the Author

Osho is one of the most provocative and inspiring spiritual teachers of the twentieth century. Known for his revolutionary contribution to the science of inner transformation, the influence of his teachings continues to grow, reaching seekers of all ages in virtually every country of the world. He is the author of many books, including Love, Freedom, Aloneness; The Book of Secrets; and Innocence, Knowledge, and Wonder.

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63 of 67 people found the following review helpful.
An antidote to stagnant thinking....
By J. Al-hashimi
I was watching Oprah Winfrey the other day and she had this couple on and it was a man and a woman, married with children, but the guy was all dressed and made himself up to look like a woman so it looked like a pair of women. And they were going to stick it out, blah, blah... but in the two minutes I watched it the man who looked like a woman said: "Sex is between the legs and gender is in the head," which obviously was a rationalizing definition. Oprah nodded somberly, repeated the definition, and then she said, "I get it." My point here is that a lot of people say a lot of stupid things about sex and a lot of people go along with it.

The point is made throughout Osho's work that religion and culture is more to blame for violent sex and deviant attitudes about sex than pornographers by repression and shame. This book is about psychology and spirituality and the sexual experience. That is Osho's point; get rid of your conditioning; you have been conditioned by thousands of years of culture which has poisoned your perceptions. He also makes the point that love is rare, that most people don't love and they don't know they don't love.

He states that while most marriages are composed of ugliness, painted faces and everything dead inside, the point of marriage is a deep spiritual communion, a training ground for egolessness (149):"There are many things you can never develop alone. Even your own growth needs someone to respond-someone so intimate that you open yourself to him or her." Osho makes the point that a marriage which is a spiritual communion is vastly different than a marriage with simply a physical or psychological basis, that their offspring will be radically evolved humans, hopefully the future of mankind.

Well, Osho is all about the evolution of human potential and he may have something. He speaks of a future where people live religion and no longer talk about it, where the new man will not be a talker but will live life, a time of no longer "great men" but rather of a general lifting of the quality of humanity. He speaks a future where sex is nobody else's concern and is more like a game, a dance of two energies together, than a serious affair. Osho is remarkable, especially so when you consider that he was born in backwater India and died in 1990, he did an astounding job of identifying how to acheive consciousness and identifying evolutionary trends. His thesis is that the evolution of everything has to be for a reason, for refinement of humankind, a progression towards connection with their souls and producing less volume and higher quality human beings. Osho is anti-formal religion like Eckhart Tolle. This perspective is that religion is inside of us naturally and the external formalized dogmas and culture got it mostly wrong.

The goal is to detach from your ego, to let the ego wither and die from lack of attention. In order to do that, you must witness yourself, stand apart and know yourself and when you acheive the loss of your ego you will experience timelessness and superconsciousness. He says (132): "Sexuality is a simple biological phenomenon. It should not be given so much importance. Its only significance is that the energy can be transformed into higher planes; it can become more and more spiritual. And the way to make it more spiritual is to make it less serious."

The thrust of his argument is that sexual energy is the ONLY energy of life and we can use the sexual experience to open the gateway of our consciousness to our soul by meditation/being aware/witnessing/encountering the whole process during sex instead of just cycling the energy and acheiving nothing. He states that if you don't have sexual energy you don't have the energy to transform; lukewarm people have difficulty reaching enlightenment. Love (heart) will pull the energy upward. Meditation (head) will pull the love energy up. Osho cautions against doing dull things, being dull in conversation, but advocates full energy, passion as a way of life.

He challenges everything: don't fall in love (biological and invasive and blind), rise in love (spiritual and respectful and insightful). On page 206 he talkes about couples who have "risen in love" and their synchronicity, understanding without words, energies relating directly without words. Consciousness as the master, not biology; companions of each other, not masters of one another. He says to go on developing/discovering the love inside you because a loving heart will attract a loving heart.

He sees tantric sex as a way out of unconsciousness, along with meditation during your everyday life. But Osho's point is that the sexual experience is so charged with energy and potential consciousness that it is unique and can bring you to egolessness and timelessness. Ultimately, Osho states that sexual energy will turn away from physical sex and that bio-electrical energy will convert to great love and great compassion.

Osho makes the point that even medicine has gotten into the culture on the subject informing people that they are healthier with more frequent sex. So people are being led by common culture to think frequency is the goal. Osho takes the point that you should only do it when you are flowing at a higher level so that the experience adds to your totality, your consciousness, and not using sex for other goals or letting it become boring. Osho writes (page 265): "Wait for the right moment. There are a few spaces - they come; nobody can manage them. Sometimes they are there. They are just divine gifts. One day suddenly you feel you are flowing. You don't have any weight, feel like you are flying. Some day you feel that you would like to give everything you can to your woman; that is the right moment. Meditate, dance, sing, and let love happen amid dance, singing, meditation, prayer. Then it will have a different quality - the quality of the sacred... When love becomes sacred, it simply makes you so contented, so tremendously at ease and at home." Not for the sake of duty, not because there is nothing to do, not as a path to reconciliation or just to satisfy the person you are living with. Only out of joy. That's one message among many.

The book (and his others) are an argument for tantric sex and other ways to become conscious and superconscious. Tantric sex is not really about sex; it is meditation in everything you do all day and night, including sex. Now, back in the 70s these concepts were tossed around more with young adults than nowadays, but it was also held up to ridicule and misrepresentation by the middle-aged and older people who thought it was just a bunch of crass hippy stuff. While the lowest experience of sex is relief, like a sneeze, tantric sex is meditation during sex, which is a whole different experience. Energy is recycled and creative and takes the experience to a higher plane in which ego and time vanish. It is not just about making an experience memorable; it is about continuing to evolve your consciousness, and create new circuitry. In the 70s we were determined not to be embarrassed about sex, to deconstruct sexual conditioning, and some people were content with that goal. But there was more; there were people who were constructing notions of being careful with your sexuality but in a different way, sex as a luxury not a need, as part of a whole life-awareness to achieve higher consciousness. To be a witness, to increase your aliveness and to aspire to a higher level of consciousness with your sexualilty is very different than simply seeking multiple experiences with multiple partners. The goal of tantric sex is that only by remaining aware does past conditioning not enter the experience and a new circuit is created... circuitry into a higher consciousness that remains with you outside the sexual experience. The mind becomes empty, centered, and old ideas drop away. You and your partner can dissolve into the greater energy and drop the ego from the heart. If you don't work on transcending your ego you will end up old with "very strengthened deep-rooted ego," a 70-80 year old ego. In contrast, childhood is nostalgic because the child feels himself or herself part of the cosmic flow, pre-ego.

A few points as a lot of science has been done that would be taking into consideration:

1. Osho is for people not being shamed by their bodies or overstimulated by nudity, sexual experiementation for males and females alike, which is the direction things are going mainly due to birth control and condoms for protection against pregancy and disease. However, sexual experimentation with multiple partners for women has a biological drawback which is that oxytocin is excreted creating a bonding effect during the sexual experience. Data indicates that this can "wear out" and young women having multiple partners appear to reach a point where they cannot "fall in love" biologically even with their spouse and perhaps affect bonding with their children. Psychologically, the risk is that either sex could bond with the wrong person in casual experiementation.

2. Neurotheology is being questioned. Is it that when the brain stops mysteriously God happens or are we looking at a predictable neuron thing? Brain-mapping indicates that the poserior superior parietal lobe weaves sensory data into the feeling of self ends and the rest of the world begins. If that becomes inactive by deprvivation of sensory input, by inward concentration, the orientation area of the brain cannot find the border between self and the world. The brain has no choice but to perceive the brain to be endless, to be connected with everything - one with creation, exactly what mystics report as a result of prolonged meditation.

It seems to me, however, that there is a lot to say for not entrenching one's ego, that it is beneficial to work at dissolving that border between self and the world in order to stay flexible and sensitive to extrasensory perceptions, including intuition, to stay in the cosmic flow and open to ideas. It appears to me that the rigid egotist gets increasingly hard and narrow, self-centered and certain.

These kind of data came about after Osho's demise and I still think that he has a host of kind of brilliant ideas and insights which may move thought forward, not with absolute agreement, but with gratitude.

0 of 0 people found the following review helpful.
Mind-blowing!!!
By Cic626
Take your sex-life to the next level. A spiritual connection in sex makes an exponential difference. It is well-written, does not come off as preachy, or too "woo-woo." Truly mind-blowing... in more ways than one!

12 of 15 people found the following review helpful.
Osho: From sex to superconsciousness
By Ashtar Command
Osho is the same person as Bhagwan Shree Rajneesh. I don't think Bhagwan needs a closer introduction. He was a quite notorious cult leader about thirty years ago - in Oregon, of all places. In contrast to most other cult leaders, Bhagwan managed to salvage *some* of his reputation by exposing the murderous machinations of his closest aides, even inviting the proper authorities to investigate. Later, Bhagwan returned to his native India, where he changed his name to the incomprehensible Osho, probably because the old name was too tainted. "Osho" is also the name inscribed on his tombstone. (He died in 1990.)

Although I can't really relate to his philosophy, it's nevertheless a pity that Osho screwed up and became a cult leader. In some strange kind of way, I like the man - or at least his public image. Osho never called himself a guru or claimed to be divine, and he was often deliberately frivolous or provocative. Please look him up on Youtube, if you don't know what I'm talking about! Osho's message sounds like a curious blend of very low church Hinduism, Western self-help techniques, Nietzsche, libertarianism and hedonism. He wanted people to combine the traits of Zorba with those of the Buddha. Would the world really be a better place if we would all be Neo-Sannyasins? No idea. But perhaps it would be more fun! If only Osho hadn't screwed up in Oregon...

"Sex Matters" is a book containing talks by Osho on the subject of sex. No dates are given, but as far as I understand, the talks in part I were held in India, already before Osho moved to the United States. The talks in section III seems to be more recent, perhaps from the Oregon period? Osho became controversial in deeply conservative and patriarchal India because of his outspoken attitude towards sex, and his constant criticism of mainline Hinduism, especially the ascetic holy men. Indeed, most of his followers have always been Westerners.

However, if you are looking for some kind of steaming exegesis of the Kama Sutra, you will be disappointed. In fact, most of "Sex Matters" deals with Osho's views on the relationship between spirituality, sexuality and celibacy. Interesting, to be sure, but hardly sexy. Osho believes that sex has to be transcended, so humans can reach a state he calls superconsciousness. However, the only way to transcend sex is to go through sex. Thus, sex shouldn't be repudiated or repressed. Indeed, Osho believes that by repressing sex, society has become sick to the bones. Why are humans constantly obsessed and preoccupied with sex? According to Osho, it's because we long for timelessness, egolessness and bliss. In sex, this is temporarily reached in orgasm. However, in meditation, we can experience a more perfect kind of bliss. Therefore, the sexual orgasm must be transformed into meditation and superconsciousness. Osho claims to know a meditation technique by which the orgasm can be prolongued for several hours. After this, the individual will no longer be interested in sex. He will become truly celibate the rest of his life. The ascetic "holy men" of India are hypocrites. They may be technically celibate, but in reality they are constantly preoccupied with sexual thoughts and desires. Only by releasing the sexual energies, can these be transformed into something higher.

To a critical outsider, Osho's advice seems contradictory. On the one hand, he has no problems with divorce, premarital sex, nudity, homosexuality or bisexuality. He wants people to be life affirming instead of life denying, and often comes close to sounding like a hedonist. (This is why his talks became controversial in India.) On the other hand, he wants sex to be spiritualized, turned into "real love", and hence turned off, with people essentially becoming asexual. It's not clear how these two traits can be combined. How do you combine "Zorba" with "Buddha"? Perhaps Osho counts on some kind of catharsis effect? If people indulge in sex, they will eventually loose interest in it. Or so Osho believes. In the third part of the book, it turns out that Osho isn't particularly interested in giving concrete advice about sexual problems. Indeed, he believes that Westerners are too obsessed with having orgasms! Just relax, experiment and go with the flow, is the rather anticlimactic advice. But then, who knows? It may just be working... More murky is Osho's ultimate goal: a society of supermen, apparently an idiosyncratic version of Nietzsche. (Some have accused Osho of incipient fascism.)

"Sex Matters" is a relatively easy read. If the book feels difficult, it's probably because it takes some time to get accustomed to Osho's strange philosophy. As such, Osho's talks aren't superintellectual or overly theoretical. They are often lightened up by funny anecdotes or frivolous jokes. (Including a joke about the Pope and a gay man!) If the book is the best introduction to Osho's worldwiew, I don't know, since I haven't read all his books. Has anyone? Personally, however, I found "Sex Matters" to be an interesting gate into the strange land of Bhagwan Shree Rajneesh...

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Sabtu, 01 Maret 2014

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The Civil War and American Art (Metropolitan Museum, New York: Exhibition Catalogues), by Eleanor Jones Harvey

The Civil War redefined America and forever changed American art. Its grim reality, captured through the new medium of photography, was laid bare. American artists could not approach the conflict with the conventions of European history painting, which glamorized the hero on the battlefield. Instead, many artists found ways to weave the war into works of art that considered the human narrative—the daily experiences of soldiers, slaves, and families left behind. Artists and writers wrestled with the ambiguity and anxiety of the Civil War and used landscape imagery to give voice to their misgivings as well as their hopes for themselves and the nation.

This important book looks at the range of artwork created before, during, and following the war, in the years between 1852 and 1877. Author Eleanor Jones Harvey surveys paintings made by some of America's finest artists, including Frederic Church, Sanford Gifford, Winslow Homer, and Eastman Johnson, and photographs taken by George Barnard, Alexander Gardner, and Timothy H. O'Sullivan.�

Harvey examines American�landscape and genre painting and the new medium of photography to understand both how artists made sense of the war and how they portrayed what was a deeply painful, complex period in American history. Enriched by firsthand accounts of the war by soldiers, former slaves, abolitionists, and statesmen, Harvey's research demonstrates how these artists used painting and photography to reshape American culture. Alongside the artworks, period voices (notably those of�Emily Dickinson, Mark Twain, and Walt Whitman) amplify the anxiety and dilemmas of wartime America.�

  • Sales Rank: #817599 in Books
  • Brand: Brand: Yale University Press
  • Published on: 2012-12-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.80" h x 1.42" w x 10.31" l, 5.72 pounds
  • Binding: Hardcover
  • 352 pages
Features
  • Used Book in Good Condition

Review
“The Civil War and American Art is a scholarly and a narrative achievement both harrowing and sublime.�Eleanor Jones Harvey has written a keenly critical and often lyrical assessment of the war she calls all but “unpaintable.”�In genre painting that captured universal meanings out of local episodes in the ugly ironies of war, and especially in the new moods, metaphors, and forms that landscape painters drew from the war, Harvey demonstrates a profound, seismic influence of history on art.�But she also brilliantly demonstrates that artists, even the photographers, could not so much re-make the actual history of our Armageddon as they could represent what we might indirectly see or learn from such a withering and mythic experience as modern war.”--David W. Blight, Yale University, author of Race and Reunion: The Civil War in American Memory (David W. Blight 2012-11-19)


“Eleanor Jones Harvey’s�The Civil War and American Art�is the rare book that connects the dots between art and history so well that the reader assumes that the subject is well-worn. It is not. The book…deserves to win awards in two disciplines: Art history and American history.…"—Tyler Green,�Modern Art Notes� (Tyler Green Modern Art Notes)

“A great art history tour and coffee-table topper.”—Garden & Gun (Garden & Gun)

“Provocative and insightful.”—Stephen May,�Antiques and the Arts Weekly� (Stephen May Antiques and the Arts Weekly)

"The latest from Harvey. . . provides a nuanced, sensitive, and deeply informed accounting of a major period in the history of American art. . . . The comprehensive study manages to remain engaging across its redolent academic and historical interests, creating a sincere excitement appropriate to Harvey's always insightful and vital reckoning with America's scarred past.”—Publishers Weekly, starred review� (Publishers Weekly)

Winner in the Photography/Art category at the 2013 Great Southeast Book Festival. (Great Southeast Festival JM Northern Media LLC 2013-03-13)

"The Civil War and American Art is a glorious companion piece to a moving, beautifully curated, perspective-altering show. . . . Harvey’s book is perfect for lovers of American art and history.” —PopMatters (PopMatters)

“Harvey skillfully integrates literature and journalism into a thoughtful and rich narrative of this pivotal period. An important cohesive assessment for scholars that is also broadly accessible and well-illustrated…”—Library Journal,�starred review (Library Journal)

“a beautiful companion volume…”—The Nation (The Nation)

“Harvey’s catalogue text stands as a monumental, often thrilling feat of detailed scholarship”—Peter Schjeldahl, The New Yorker
(Peter Schjeldahl The New Yorker)

“One of the great publishing triumphs of the Civil War Sesquicentennial.”—North Carolina Historical Review (North Carolina Historical Review)

Selected as a Choice Outstanding Academic Title for 2013 in the�Art & Architecture Category. (Outstanding Academic Title Choice 2014-01-21)

From the Author
“In landscape paintings during the Civil War years, the skies and geography told a version of the story, bringing together literary metaphor and visual imagery to create a war-inflected layer of meaning. When we consider the literature, speeches, sermons, and letters that invoked stormy weather, volcanic eruptions, and celestial portents to understand the war and all its profound consequences, that imagery gains depth and the paintings’ meaning becomes clearer. Landscape painting thus became the emotional barometer of the mood of the nation.”—Eleanor Harvey

About the Author
Eleanor Jones Harvey is�senior curator at the Smithsonian American Art Museum. Her books include The Voyage of the Icebergs: Frederic Church's Arctic Masterpiece (Yale) and The Painted Sketch: American Impressions from Nature, 1830–1880.

Most helpful customer reviews

26 of 26 people found the following review helpful.
"A powerful layer of meaning inflected by the Civil War"
By Michael J. Ettner
If you decide to buy THE CIVIL WAR AND AMERICAN ART as a gift for some lucky person, be prepared to receive effusive thanks for a thoughtful and beautiful gift. If you are thinking of it as a gift to yourself, that too will bring long-lasting rewards. The book is of such quality it should appeal beyond the camps of Civil War buffs and lovers of American Art.

What impresses most is how successfully all elements of the book converge.

First and foremost is the text. Eleanor Jones Harvey's thesis is a simple one: "The Civil War had a profound and lasting impact on American Art, as it did on American culture. Both genre painting and landscape painting were fundamentally altered by the war and its aftermath." As well, she demonstrates how photography--the third of her areas of interest--was newly empowered as an art form.

Harvey's writing occupies pages 1 through 241 of this large book. Each generous page measures 12 1/2 by 9 15/16 inches, allowing double-column formatting of the text. The prose is wonderfully clear, a pleasure to dip into, blessedly free of academic jargon and devoid of esoteric pleading. Harvey conveys a mountain of essential facts and observations without halting the forward momentum of her narrative and argument. This is no mean feat. She uncovers layers of meaning within 77 paintings and photographs of the era. Among the works closely analyzed are thirteen Civil War related paintings by Winslow Homer, an artist who will grow larger in your estimation thanks to the findings of Harvey's eye and mind.

Additional documentation includes a section of Notes (32 pages); a Bibliography of over 300 sources and references (20 pages); a Catalog listing the 77 works featured in the Exhibition currently on view at the Smithsonian American Art Museum in Washington, DC, through April, 2013 (the show will travel to the Metropolitan Museum of Art in NYC, May-September, 2013); and a list of the 123 Figure Illustrations found throughout this well designed book. A helpful Index rounds out the volume. Overall the illustrations of works of art are of fine quality, yet, unavoidably, they are imperfect substitutes for the originals. The reproductions of the paintings cannot convey the overwhelming beauty of the luminous landscapes of Frederick Church, Albert Bierstadt and Sanford Gifford. The genre paintings, even when reproduced in full-page spreads, cannot reveal all the small but important details the artist included. Missing too is the emotional pull of actual vintage albumin prints on the walls of the exhibition. All of which is to say something obvious: If you can, please try to get yourself to one of the two museum venues -- there to enjoy a complete experience.

THE CIVIL WAR AND AMERICAN ART is co-published by the Smithsonian American Art Museum and Yale University Press. It is printed and bound by Artegrafica in Verona, Italy. If you want a sense of the superb production values applied to the making of the book, please see the photographs I've uploaded to the "Customer Images" section found in the upper left corner of this webpage.

Note: Only the hardcover is available for purchase here on Amazon. A softcover version, identical in every way to the hardcover except for the binding, is available at the bookstores at the Smithsonian American Art Museum and the Metropolitan Museum of Art, and also from each museum's online bookstores (Google: SAAM Bookstore or MetMuseum store) at a $45.00 list price. That's more than Amazon's hardcover price; with a museum membership discount, it's about the same.

5 of 5 people found the following review helpful.
The chapter titled "The Human Face of War" tells it all.
By With Brush in Hand
This beautiful book is for artists, Civil War buffs and historians. The photography is outstanding. The paintings by Homer, Church, Gifford, Chapman, I could go on and on, bring a much deeper meaning than photos could ever do. This book is filled with human emotion and been compiled brilliantly by Eleanor Jones Harvey. I highly, highly recommend this book.

3 of 3 people found the following review helpful.
Fantastic and Refreshing
By S. CUSTOMER
As a Civil War aficionado, one tends to find much of the same information in many books. The Civil War and American Art deals with many popular Civil War topics but does so from so refreshing an angle that even the most devoted Civil War reader will learn something new. Art is a reflection of society and this book reflects an honesty from a society so deeply ingrained in modern imagination that many people ignore what the society, itself created.

Harvey seamlessly melds the art into the context of the day using excerpts from literature and first person accounts. The book does not only cover the war years but also includes the years leading to war as well as the decade after to place Civil War era art into its proper context.

Harvey discusses well-known symbolism in pre-Civil War and Civil War literature and art such as the use of comets and meteors at the start of the war. Shortly before the war, a meteor was seen by many from New York to Delaware. Many took it as an omen that John Brown, the radical abolitionist known as the “Meteor of War’s” prediction was coming true. On the gallows for his organization of a slave uprising, he wrote a note stating, “I, John Brown, am now quite certain that the crimes of this guilty land will never be purged away but with blood.” It was striking symbolism used by artists and writers at the time who felt that their lives were about to change.

Not excluding photography, Harvey introduces the rather unprecedented work of famous wartime photographers such as Mathew Brady, Alexander Gardner, Timothy O’Sullivan and George S. Cook giving an in-depth look into the medium of photography as it was. In a time when almost everyone has a camera in their pocket, it is difficult to imagine just how shocking the images of war were to the people of the 1860s. From only ever seeing paintings and etchings of gallant soldiers fighting artistic battles to the sudden shift of seeing lifeless, mangled bodies piled like meat really brought the true cost of war home to people.

This book is a very interesting read with stunning photographs. It gives a very in-depth look into the art and literature of the time, allowing the reader a better-rounded view on the culture of the people that created it.

Disclosure: I received a copy of this book for reviewing purposes but that in no way affected the content of my review.

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