Jumat, 29 Januari 2010

[P752.Ebook] Ebook Calculus - with Analytic Geometry 5e - Complete Solutions Manual, by Howard Anton

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Calculus - with Analytic Geometry 5e - Complete Solutions Manual, by Howard Anton

College level calculus. Calculus - with Analytic Geometry 5e - Complete Solutions Manual

  • Sales Rank: #451616 in Books
  • Published on: 1995-04-25
  • Number of items: 1
  • Binding: Paperback
  • 808 pages

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1 of 1 people found the following review helpful.
Wonderful book
By JOSHUA S GOLDSTEIN
This is really a great book. I learned calculus from this book 20 years ago, and now, as I relearn it, I use it again. The writing is clear, and the examples progress from the easy to the difficult. If you are studying on your own, I recommend getting an old edition of the book along with the teacher's manual that has every problem solved.

If you are inquisitive, sometimes, along the way, you might have an idea about something and want to test it out; for this I recommend either alpha.wolfram.com or Mathematica. You could use a graphing calculator instead of these, but Mathematica is extremely powerful.

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Senin, 25 Januari 2010

[N486.Ebook] PDF Ebook Persia and the Greeks: The Defense of the West, 546-478 B.C., by A. R. Burn

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Persia and the Greeks: The Defense of the West, 546-478 B.C., by A. R. Burn

  • Sales Rank: #4323835 in Books
  • Published on: 1968
  • Binding: Paperback

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0 of 0 people found the following review helpful.
The source book for many that followed
By Metallurgist
This book, published in 1962, is the basic source for all books that have followed it. However, I would only recommend it to someone who is specializing in this area of study. I found the book to be very comprehensive, perhaps too comprehensive in that is cites and discusses almost everything in Herodotus, requiring the reader to wade through a tremendous amount of information in order to understand the narrative. I felt that it was a case of the overall forest being obscured by too much attention to individual trees. Also, I found that the writing style was too much influenced by that of the 19th century for my taste. The writing is sometimes stilted and convoluted, with a mention or every possible individual who was involved with an event. Furthermore it uses a transliteration from the Greek that is different from that used in more modern texts, and this can be confusing. The book contains 15 useful maps, but no illustrations.

I would recommend Green’s “The Greco-Persian Wars” as a book that I found that was much more accessible and clearly written. It leans heavily on “Persia and the Greeks”, but having been written more than 40 years later incorporates the work of more modern historians (although the basis information still relies on material written 2500 years ago) and is written using a more modern style. I did not dislike “Persia and the Greeks”, only that I feel that it is not the best choice for someone who is not a specialist in the area of early Greek and Persian history.

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Minggu, 24 Januari 2010

[Z451.Ebook] Ebook Download Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time, by Nicolas Slonimsky

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Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time, by Nicolas Slonimsky

"A supermarket tabloid of classical music criticism."―From the new foreword by Peter Schickele.

A snakeful of critical venom aimed at the composers and the classics of nineteenth- and twentieth-century music. Who wrote advanced cat music? What commonplace theme is very much like Yankee Doodle? Which composer is a scoundrel and a giftless bastard? What opera would His Satanic Majesty turn out? Whose name suggests fierce whiskers stained with vodka? And finally, what third movement begins with a dog howling at midnight, then imitates the regurgitations of the less-refined or lower-middle-class type of water-closet cistern, and ends with the cello reproducing the screech of an ungreased wheelbarrow? For the answers to these and other questions, readers need only consult the "Invecticon" at the back of this inspired book and then turn to the full passage, in all its vituperation. Among the eminent reviewers are George Bernard Shaw, Virgil Thomson, Hans von B�low, Friedrich Nietzsche, Eduard Hanslick, Olin Downes, Deems Taylor, Paul Rosenfeld, and Oscar Wilde. Itself a classic, this collection of nasty barbs about composers and their works, culled mostly from contemporaneous newspapers and magazines, makes for hilarious reading and belongs on the shelf of everyone who loves―or hates ―classical music. With a new foreword by Peter Schickele ("P.D.Q. Bach").

  • Sales Rank: #260702 in Books
  • Color: Other
  • Published on: 2000-08-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .90" w x 5.60" l, .65 pounds
  • Binding: Paperback
  • 336 pages

About the Author
Nicolas Slonimsky, pianist, composer, conductor, author, lexicographer, jingle writer, and parent who spoke Latin to his daughter, died in 1996 at the age of 100.

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9 of 10 people found the following review helpful.
Good to flip through for a chuckle at how wrong some critics ultimately proved to be
By Christopher Culver
Nicolas Slonimsky's LEXICON OF MUSICAL INVECTIVE collects those critical reviews of composers from Beethoven's time which proved "biased, unfair, ill-tempered, and singularly unprophetic judgements". It's handily arranged in alphabetic order by composer, so while listening to, say, Bela Bartok's first piano concerto, you can amuse yourself with a 1928 review from the Cincinnati Enquirer:

"Mr. Bartok elected to play his composition dignified by the title Concerto for Pianoforte and Orchestra. Note the ommission of key. Ultra-moderns cannot be bothered with such trifling designations ... It has been said that the Concerto is based on folk tunes. They have been successfully concealed. Only tonal chaos arises from the diabolical employment of unrelated keys simultaneously."

A 1913 review from the Boston Journal manages to make unprophetic judgements about two composers in one go:

"For the most part the latest symphony [the Sibelius Fourth] from the pen of Finland's foremost composer is a tangle of the most dismal dissonances. It eclipses the saddest and sourest moments of Debussy."

In addition to these citations, Slonimsky offers his own analysis of critical tendencies in the opening essay "Non-Acceptance of the Familiar". To the elderly among the old critics, Slonimsky notes, new music always seems louder than what they are used to. They also often resorted to linguistic similes, comparing new music to "Chinese", a then-handy symbol of incomprehensibility. He gives some general anecdotes about the world of music reviewing, such as a Russian journalist writing a review on Prokofiev's "Scythian Suite" before the concert even took place--he was fired when the review appeared but the piece had actually be taken off the programme at the last minute. There's even an index of Invective, so if you want to find all reviews making use of the terms "Hideous", "Grunting", or even "Feeding Time at Zoo", you'll know which pages to turn to.

Though the work is entertaining, it's no essential addition to a home library. You can read it in an hour at your public or university library. Also, the work was never updated after 1965--it ends with the generation of Bartok, Webern, and Varese--and so those hoping to read invective against Boulez, Stockhausen and others won't find it here.

37 of 38 people found the following review helpful.
Fear of the unknown...
By Bob Zeidler
...is a "fresher" expression for Nicholas Slonimsky's introduction, "Non-Acceptance of the Unfamiliar," to this howler of a compendium of musical criticism.

In a nutshell, this book is a collection of excerpts from reviews, commentary and correspondence regarding the music of forty-three composers over a 150-year span, beginning with Beethoven and ending (approximately) with Bart�k, Schoenberg, Shostakovich and Stravinsky. While most of the composers are well-known, some (Henry Cowell, Roy Harris, Wallingford Riegger, Carl Ruggles, Edgar Var�se) are hardly household names. For the most part, the commentary closely follows, in time, the premieres of the works described. (In some cases, this may be years after their original premieres. It often took, in times past, years for the works to get from "the country of origin" to the venues that were the domains of the reviewers and critics. History - and this book - have shown that this extra time was not necessarily an asset in evaluating the works more accurately.)

A quick page count by composer shows that Wagner (at 27 pages), Schoenberg (at 20 pages), Stravinsky (at 19 pages), Strauss (at 16 pages), and Debussy (at 15 pages) come under the greatest critical scrutiny, or, in retrospect, the greatest "fear of the unknown." Surprisingly, other "true revolutionaries" come off somewhat better: Berlioz (at 5 pages), Mahler (at 4 pages), to name two. Even "universally-loved" composers who wrote music which these days is commonly considered accessible don't escape the critics' wrath: Bizet, Brahms, Puccini, Rachmaninoff and Tchaikovsky are some who didn't exactly become accepted overnight.

It's not as if these music critics "who blew it" didn't know their field appropriately. More than a few (C�sar Cui, George Templeton Strong, Virgil Thomson, to name three) were themselves composers, writing about the new music of their contemporaries. Others (Olin Downes, long-time music critic of the New York Times, Henry E. Krehbiel, similarly of the New York Tribune, and Philip Hale, similarly of the Boston Herald) were highly-respected music critics of their time, not normally given to "blowing it" as far as making a bad call against a new piece of music was concerned.

But that is what this book is about: "Blowing it, major-league big-time," usually with style and panache to spare, as well as all the buzzwords and "tricks of the trade" that suggest expertise. Then, along comes the unsuspecting reader of "the next morning's dailies." He (or she) reads the critique, and the die is cast: Wagner (or Strauss or Stravinsky or Debussy; enter a name of your choice) has just composed music that is: cacophonous; caterwauling; noise, non-music; not fit for human consumption (pick one). The reader has fallen victim to this "expert opinion." It is hard to shake this initial "expert" impression. It may take years. It may never happen. And it might have been the fault of the critic in the first instance.

There is one significant omission, perhaps curious only to those who are unfamiliar with some of the other "alter egos" which Slonimsky had: Charles Ives. Now, Ives was America's first "modern" (or, in terms that I think fit him best, our "first-and-only romantic pre-post-modern"), and his music just barely found acceptance within his lifetime, even if this acceptance came many years after he stopped composing and was quite infirm due to a variety of ailments. Slonimsky had been a friend and champion of Ives well before Ives's music caught on with the concert-going public, and I like to think that omission of Ives as a subject of such invective was a conscious decision on the part of Slonimsky, perhaps as a gift from a friend. But it is also true that much of Ives's music went unperformed during his lifetime, thereby escaping the invective it might otherwise have garnered.

I almost thought that there might be a second significant omission, that of Hector Berlioz as music critic (something which he did for the better part of forty years). But the index at the back of the book did turn up one comment of Berlioz's (in a letter [dated 1861]), brief but to the point: "Wagner is evidently mad." By 1861, Berlioz and Wagner had already known each other quite well for some six years or more. Berlioz - despite trying hard - couldn't fathom the chromaticism in Wagner's "Tristan und Isolde," this despite the fact that Wagner wasn't at all bashful about borrowing some of Berlioz's better ideas in his "Romeo et Juliette" for "Tristan und Isolde."

Also curiously absent is any mention of twentieth-century British composers (Vaughan Williams, Holst, Britten, Brian, Bax and so forth). Neither Slonimsky nor Peter Schickele (of P. D. Q. Bach fame, and the writer of a fresh Foreword to this edition) posits why this might be so. There is no shortage of criticism by British critics; they have plenty to say about the musics of composers of other countries. And sheer accessibility cannot be the explanation; the Fourth Symphony of Ralph Vaughan Williams hardly fits the mold of "instant acceptance and accessibility." Curious.

It wouldn't surprise me if every working composer already has a copy of Slonimsky's little masterpiece tucked away for "rainy day" encouragement. And if they don't, they ought to. Music lovers would do well to read how initial critical thinking can affect acceptance of new music, and how critical opinion can change "once the dust settles."

But those who stand to benefit the most from reading this book, as a cautionary tale, perhaps, are the working music reviewers and critics. They (or at least their predecessors) are the ones whose flawed judgements at the time have not withstood history's judgement, resulting in these screamingly funny "critiques."

Good for much more than just a laugh or two! Pick your favorite composer. He's probably been picked apart by someone anthologized in Slonimsky's screamer.

Bob Zeidler

29 of 31 people found the following review helpful.
Required reading for anyone who's taken reviews seriously
By A Customer
I first heard about Nicolas Slonimsky's collection of scathing reviews of brilliant music on a 1992 episode of the radio show Schickele Mix, the first time that a radio show prompted me to rush out and buy a reference book. It was difficult to find a copy of the book then, and even more difficult later when it went out of print, so how nice it is to have it back in print in this new edition, and how even nicer that the new edition contains a new forward by the same Peter Schickele whose radio show introduced me to the book all those years ago.
The radio show turned out to be but a small sampling of the many hundreds of classical music reviews that were collected by Slonimsky into this volume. In its entirety it is really amazing how many different negative reviews have been written about music now often considered masterpieces, and what amount of wit and creativity went into these insults. However, the radio show had the advantage of being able to play recordings of the music along with the reviews to highlight the disparity between how we hear these pieces today and what they sounded like to selected critics when they were new. So although many readers may gain amusement merely from reading these reviews, much as my friend who watched Siskel and Ebert just for the enjoyment of hearing them argue, they are much more amusing and insightful if you are somewhat familiar with the composers and music reviewed or if you pick up some recordings of the pieces described. It would be even better if it was possible to get an audio version of this book with music samples, perhaps based on that radio program.
This is not a book for reading straight through in one sitting, but for checking out a few reviews at a time. One of the best features of the book is an "Invecticon", a type of index where you can look up key phrases like "incomprehensible", "pretentious rubbish", or "savage modernistic mockery" and find a list of composers described as such with the page numbers of their reviews. Mr. Schickele's new forward puts this all in good perspective.
I was, of course, exaggerating before when I said that all of the works described here are clearly masterpieces and implied that the reviewers were therefore incorrect in their opinions, but I'd like to point out a significant importance of this book, the fact that it provides ample evidence for a sobering thought, that in this age where a Broadway show can close after 6 days due to one negative review, there is always the remote possibility that the reviewer might be wrong.

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Jumat, 15 Januari 2010

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  • Sales Rank: #4722057 in Books
  • Published on: 1900-01-16
  • Binding: Paperback

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Rabu, 13 Januari 2010

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Sara is hired to work on remodeling the interior of a castle, so she goes off to the Dukedom of Illyria. The Prince of Illyria, Gabe, was once Sara's fianc�. But when the family treasure that Gabe lent to her went missing, he accused her of being the thief and canceled their engagement. Sara thought that there'd never be another chance for a mere interior designer like her to meet a prince, but Gabe is waiting for her in Illyria, and he hasn't forgotten a thing. He looks at her coldly and declares that she won't leave his castle until she�returns the "stolen" necklace!

  • Sales Rank: #634184 in eBooks
  • Published on: 2014-08-15
  • Released on: 2014-08-15
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
A good love story
By Chucks Daughter
IT WAS A GOOD LOVE STORY. If you have some time to relax and read a manga romance give it a trye

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Thank you!!!

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Sabtu, 02 Januari 2010

[A224.Ebook] Download Ebook Unstuck: Your Life. God's Design. Real Change., by Arnie Cole, Michael Ross

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Back to the Bible Leaders Show Readers How to Cultivate a Thriving Walk with Christ

When asked about their relationship with God, many believers say the Christian life "isn't working" or that they want "more than an okay walk." After conducting extensive survey research on what it takes to grow spiritually, Back to the Bible leaders Cole and Ross offer solid evidence for the power of Bible engagement. But more than statistics, Unstuck gives readers a practical and proven way to encounter Scripture daily, connect with God, and revitalize an otherwise listless faith. This book is part of a strategic ministry plan developed by Back to the Bible, which has been on the air for more than 70 years. Through multimedia products and services, the ministry is walking alongside individuals and churches, helping Christ-followers tap into and live out God's Word.

  • Sales Rank: #589967 in Books
  • Published on: 2012-05-01
  • Released on: 2012-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .61" w x 5.50" l, .53 pounds
  • Binding: Paperback
  • 272 pages

From the Back Cover
A Proven Path to a Thriving Walk with Christ

Does your relationship with God seem broken? Full of silence and distance? Do you ever want more than just an "okay" walk with Christ? After conducting extensive research, including more than 70,000 surveys, Back to the Bible leaders Arnie Cole and Michael Ross found many Christians feel the same way. But they also discovered the secrets that help believers grow and thrive spiritually. And they want to share what they discovered with you.

Filled with honest stories and real-life examples, Unstuck provides you with practical and proven ways to encounter Scripture daily, connect with God, and revitalize your faith. Stop just going through the motions and learn how to tap into God's Word to live out the life He desires for you.




"As Christians we often talk about 'spiritual growth,' but for many it's a concept that remains elusive. With Unstuck, Michael Ross and Arnie Cole offer a blueprint for genuine growth in grace, grounded in the life-changing power of Scripture."
--Jim Daly, President Focus on the Family

"I just finished Unstuck and felt a kindred spirit as my heart raced in many places. Within a few pages I found myself lurching for a pen to underline and started folding corners. This book is outstanding, excellent in truth, very well written, and convincing."
--Patrick Morley, founder and CEO of Man in the Mirror

About the Author
Arnie Cole (EdD, Pepperdine) is the CEO of Back to the Bible and Director of Research and Development for the Center for Bible Engagement. He has spent much of his professional life tracking trends of human behavior and developing programs that can help change negative behaviors. He and his wife, Char, are the parents of adult children and operate Still Waters Ranch, an equestrian center that serves as a community outreach. The Coles live near Lincoln, Nebraska.


Michael Ross is an award-winning journalist. He writes, edits, and manages Back to the Bible's book publishing efforts and is a former editor of Breakaway magazine, published by Focus on the Family. He has authored and collaborated on more than 30 books, including What Your Son Isn't Telling You. Michael and his family live in Lincoln, Nebraska.

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16 of 16 people found the following review helpful.
Unstuck: A Surprisingly Honest Take on the Impact of the Bible
By Amazon Customer
If you're anything like me, you may have grown cold to the idea that reading your Bible every day is important, and bristle whenever you hear someone robotically quote Isaiah 55:11 as the rationale for including Bible verses as a part of everything they do.

And surprisingly in Unstuck, Arnie Cole and Michael Ross seem to be in agreement.

According to them, the reason people who sit in church every Sunday lead lives that look just like everyone else's is because casual exposure to the Bible doesn't really make a difference. We actually have to engage it if we want to see a change.

Which sounds great until you remember that you're not even actually casually reading the Bible right now anyway...and in addressing this, the book really begins to shine.

Through both real stories and documented research, Unstuck demonstrates the impact the Bible can have on our lives when we're willing to spend time with it outside of exhaustive studies or regimented reading programs. Getting unstuck isn't a formula, it's a continual process of being willing to let God's truth impact the way we think about, and ultimately live out, our lives.

7 of 7 people found the following review helpful.
Be encouraged, be inspired, be changed by ENGAGING the Word of God!
By M & S Scales
What's this white book with a traffic light?...Pick it up...Take a look...Unstuck?...What an interest-grabbing title with a simple subtitle that ends up truly summing up the heart of the book. Now flip it over to read the overview on the back..."Do you ever want more than just an `ok' walk with Christ?" Those peeked my curiosity as a challenge also arouse inside of me: Is this book for real? Are Cole and Ross talking about having a real relationship with a real Saviour or just adding more to my "Christian check list"?

That concern was addressed quickly. And their statement from research was very straightforward... "Christians grow through relationship, not religion. We stall when we focus on impersonal formulas and empty habits." (pg. 49). Ok... I'm liking the book so far...

Unstuck is divided into sections to explain why change is needed in our lives, what the authors and the research found works, and how to apply it to our lives. In their words, Part 1 is Why We Stall Out, Part 2 is The Powered by Four Solution, and Part 3 is Engage, Untangle...Grow! Cole and Ross explain the Powered Four Solution as engaging (rather than just read) the Bible at least four times a week with this mind-set - "God's Word to us is how we hear from and share two-way conversation with our Creator. It's our personal connection...Relationships need consistent connections in order to grow" (pg. 139). They urge us not to approach our devotional times with a primary focus of info-gathering. However, we need to engage and look for connection, relationship and spiritual transformation. The last part is very practical and will be a resource that will need to be updated as you grow in your walk with Christ.

I throughly enjoyed Unstuck and would highly recommend it. It was a challenging, inspiring read that will change lives through the power of God's Word. The personal stories that are included - real and honest, not glossed over - are a perfect addition to the books goal of pointing the reader to an honest relationship with Jesus.

Wow! I am so glad that God placed this book in my path! I have highlighted and dog-eared so many pages, but I still plan to go through it again in about a month.

**Bethany House has provided me with a complimentary copy of this book for my honest review.

6 of 6 people found the following review helpful.
UNSTUCK
By David Fisher
What is your response when asked how your "Christian walk" is progressing? If quizzed on your "devotional life" do you squirm and dig deep for an answer which may not be 100% true but might satisfy the one asking the question and prevent embarrassment to yourself?

Does God's Word speak to you in profound ways when you read it or do you "go through the motions" because it's your obligation as a Christian believer? Do you encounter God when you read?

Every so often you come across a book that challenges you to the core and causes you to realize that you might be a spiritual "loser". UNSTUCK is such a book! Even though I was challenged to the core, I couldn't put the book down and when I did...kept coming back for more.

One of the authors, Dr. Arnie Cole, confesses, "At least I know my topic inside and out. I've lived most of my life spiritually stuck. or, as I like to call myself, a spiritual loser." That confession struck a chord with me.

The beauty of this new book is that the authors, Dr. Cole and Michael Ross, speak in terms that I could relate to. They are transparent, non-judgmental and understanding of the human condition. They know what it's like to feel stuck.

They speak of Bible "engagement", something that many Christians including me struggle with. We read the Bible, often out of guilt, but God's Word doesn't penetrate to our heart, we don't allow it to speak to us and we read much too casually, not remembering that the Bible is "God-breathed" and is profitable for "doctrine, reproof, correction and instruction in righteousness."

UNSTUCK challenges the reader throughtout, not by making us feel guilty but giving us hope that change is possible and a real realtionship with God through Jesus Christ can be a reality not just an expression we use.

The authors, both on staff at Back to the Bible, don't use formulas to give answers but share over a 45-day period how we can interact with God through His Word and finally get unstuck. Cole and Ross have done their homework having conducted extensive research into the habits and lifestyles of professed Christians. Sad to say, they discovered that many believers have a listless, second-hand faith. They furnish us with positive ways to revitalize our faith, encounter Scripture each day and finally...connect with the God who created us and knows everything about us.

We can get unstuck and begin to enjoy a meaningful relationship with God. Arnie Cole and Michael tell us how.

This book is a "must-read" for everyone who wants more of God and is tired of being a 'spiritual loser."

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